Trisha Paytas is a well-known American actress, singer, and YouTuber who is most likely everyone’s favourite YouTube lady. Paytas’ sense of humour, confidence, and ‘I-don’t-give-a-damn’ attitude are what keeps the majority of her fans glued to her YouTube channel.
The actress not only uses her YouTube channels to give fashion and lifestyle advice, but she also uses it to keep her enormous following up to date on practically everything she does, including her plastic surgery procedures. Paytas, on the other hand, isn’t the type of star that leaves her followers scratching their heads about what she has and hasn’t done. Her plastic surgery operations are included in this.
Paytm’s plastic surgery, unlike that of many other celebrities, is not anything about which fans speculate. It’s more of a case of becoming her disciple and learning everything there is to know about her plastic surgery.
The mediatizations of Trisha Paytas’ body:
Trisha Paytas is an example of how we choose to display our bodies in specific ways according to the platforms we use. That is why we chose to write about her, drawing on some theoretical ideas from French philosopher Michel Foucault. Trisha Paytas has many accounts on various social media platforms and websites. She presents herself and her body in a unique way on each. She frequently discusses sexual topics, which is crucial to our study because we want to highlight how people limit their sexual expression based on circumstances, particularly in public spaces like social media.
We see a lot of visual displays of bodies on social media. People pay attention to their bodies and strive hard to make them attractive in the sight of others. This is because we can (and do) moralise our reading of bodies: we perceive bodies and then pass moral judgments on the individual. But what are the accepted practices? What is attractiveness? And why is that?
We draw inspiration for our approach from Foucault’s work on abnormality and the body. The reading body arises in the nineteenth century, writes Foucault. The way we exhibit ourselves to others becomes the index for our bodies, which are utilised to establish meanings and index an identity, much like a book we can read (Foucault, 2003).
Trisha’s Main Channel vs Her Vlog Channel:
Everything on social media spreads swiftly in the age of globalisation; it sometimes seems as though everyone wants to be loved and appear to be the greatest version of themselves. The way we display ourselves online influences how others perceive us.
Trisha uses her body in a variety of ways on her two YouTube channels, the main channel and the vlog channel, which have a combined 4.8 million subscribers. On the primary account, she appears to be more constructed (blndsundoll4mj). Her films cover a wide range of topics, including attractiveness, binge eating, weight loss, and sex (quality).
The vlog channel (Trisha Paytas) is used for more natural-looking videos, such as cooking in her underwear. She reveals her true self in this scene. This is referred to as a morphing body. She transitions from a refined body, which made her renowned in the first place, to a more realistic version of herself, who wants praise and is highly emotional.
We can look at how she portrays herself and generates a social perception of Trisha using Foucauldian thought. This results in the formation of a moralised behavioural script; moralised in the sense that we have moral beliefs about it. Some describe her as a self-assured and strong woman because she isn’t hesitant to flaunt her physique and act as she pleases.
To be deemed a normal person and to exist in a healthy society, as Foucault puts it, we must be in control of ourselves (Foucault, 2003). Trisha’s vlog channel demonstrates a lack of self-control and moderation: she looks unconcerned about being judged, she’s very emotional, and she posts recordings of her breakdowns online. All of this can give the impression of being out of the ordinary.
Plastic surgery is becoming increasingly popular as people seek to improve aspects of their bodies that they find unattractive. Trisha Paytas is no exception, as this is her second method of body morphing. “There is no one body part of me that is real,” Trisha has claimed (Famous Entertainment, 2019). She’s had liposuction (fat removal from one location and replacement in another), cheek fillers, breast augmentation, a Brazilian buttlift, and lip injections.
Bodies are always important to Foucault, especially how we read them down to the slightest features. He claims that our body’s organisation reflects our ultimate power over it (Foucault, 2003). Trisha usually portrays herself as confident, but she reveals in a few videos that she feels insecure about herself and is addicted to plastic surgery. Being an addict denotes a loss of control, which is a symptom of abnormality.
Before and After Transformations:
Trisha isn’t afraid to admit that she’s had and continues to have cosmetic surgery. She’s actually rather proud of it.
We’ll go over Trisha’s beauty makeover over the years and see what she did to achieve her current look.
Trisha doesn’t appear to have had any invasive surgery on her face, starting with her cosmetic work. She does, however, get fillers in some spots.
She’s talked about it in a handful of her YouTube videos over the years, including one last month where she debuted her new face fillers. She rubbed her cheeks together. These are believed to aid in the reduction of smile lines.
Trisha is also a big admirer of lip injections, to the point where she says she’s addicted to them.
She had to have her top lip removed and mended at one point since it was looking a little strange, which was for the best. Trisha’s lips have taken a lot of flak for being overdone, but she likes them. So that’s the only thing that matters.